Classics Courses
Fall 2011
                              CC 220-001  Classical Mythology (3)
 M/W,  2:30 - 3:50 PM
 J. Westerhold
CC 220-002  Classical Mythology (3)
T/TH,  3:40 - 5:00 PM
 J. Westerhold
A study of the important myths in Greek and Roman culture, with attention to their
                                    religious, psychological, and historical origins.  Comparative mythology, structural
                                    analysis, modern psychological interpretations and the development of classical myths
                                    in Western literature and art receive attention.
CC 365  Sacred Places/Ritual Spaces (4)
 M/W  2:30 - 3:50 PM
Leslie Mechem
Although the boundary between sacred and secular space was less rigid in ancient Greece,
                                 sanctuaries were areas set aside specifically for encountering the divine. This seminar
                                 will explore a number of questions associated with Greek sanctuaries from their inception
                                 in the 8th century B.C. through the Hellenistic period. Such questions include what physically
                                 constituted a Greek sanctuary, what sorts of rituals and religious practices occurred
                                 in the sanctuary, and what the social functions of these sites were. We will explore
                                 the fundamentals of Greek religion for the first few weeks and then focus on specific
                                 sanctuaries: two of the four Panhellenic sites, one of which also served as an oracular
                                 shrine (Olympia, Delphi), the healing cult of Asklepios at Epidauros, and the Eleusinian
                                 mysteries. In our examination of Olympia, Delphi, Epidauros, and Eleusis, we will
                                 discuss in detail the archaeological and art historical composition of the site as
                                 well as examine the particular types of religious practice associated with that sanctuary. 
                                 In doing so we will gain a better understanding of the functions of the sanctuary
                                 and the central role it played in Greek society.
CG 110  Elementary Greek (4)
 M - 10:10 - 11:05 AM & T/TH - 9:40 - 11:00 AM
L. Mechem
Why study ancient Greek? To study Greek is to study ourselves as creators, leaders,
                                    thinkers and as humans. Greek sharpens awareness and understanding of how languages
                                    work and offers speakers of English the opportunity to rediscover their own language;
                                    over thirty percent of all English words (particularly those of the sciences and humanities)
                                    are formed from ancient Greek roots. Students in this course will acquire the basics
                                    of Greek grammar through reading selections from a variety of authors and texts, including
                                    Aesop, Plato, Herodotus, and the New Testament.
CG 311  Herodotus: Father of History, Father of Lies (4)
 T/Th 2:10 - 3:30 PM
Michael Arnush
Labelled both as the "Father of History" and the "Father of Lies," Herodotus, the
                                       world's first historian, has had a profound effect on a variety of disciplines and
                                       areas of intellectual inquiry: ethnography, archaeology, linguistics, literature,
                                       narratology, sociology, anthropology and gender studies. We will examine Herodotus
                                       and his Histories from a number of these perspectives and assess his contributions to western thought.
                                       We will focus on Herodotus the story-teller and Herodotus the chronicler of the Persian
                                       Wars – and read and watch Frank Miller's 300 and Steven Pressfield's Gates of Fire for other presentations of the Greek-Persian conflict.
CL 110-001  Elementary Latin (4)
 M  10:10-11:05 AM  &  T/TH, 9:40-11:00 AM
J. Westerhold
CL 110-002  Elementary Latin (4)
 M  10:10 - 11:05  &  T/TH  9:40 - 11:00
 D. Curley
 Latin, the root of the Romance languages of French, Spanish and Italian, and the
                                 language of the sciences and medicine, lies at the heart of Western civilization.
                                 The study of Latin and Roman culture leads to a greater understanding of our own literature
                                 and civilization, improves writing and reading skills, and helps to develop precise
                                 thinking. Students in this course will acquire the basics of Latin grammar and vocabulary
                                 while reading selected prose passages and poems by Cicero, Catullus, Vergil, Martial
                                 and Caesar.
  
CL 310  Love, Death, and Springtime (4)
 T/TH, 11:10-12:30 PM   Fourth hour: TBA
David Porter
HI 203: Rise of Athens. (3)
M/W/F 1:25 - 2:20 PM
Michael Arnush
A study of Greece with a focus on Athens from the Mycenaean age to the outbreak of the Peloponnesian War. Students examine the heroic age, the development of the city-state, the origins of democracy, the nature of imperialism, intellectual and cultural achievements, economic conditions, and family life. Special emphasis is given to the study of the ancient sources: literary, historiographic, archaeological, and numismatic. (Fulfills Social Sciences requirement) Prerequisite: None.
Scribner Seminar Program.  (4)
Classics on Film
 T/TH  2:10 - 3:30 & M  7:00 - 7:55 PM
 Dan Curley
 Gladiator. Troy. 300.  HBO's Rome.  These are only the most recent examples of the Greco-Roman world on film.  The relationship between the film industry and antiquity β€” sometimes vexing, sometimes
                                 exhilarating, always fascinating β€” is the subject of this course.  Students will explore the cinematic classics of the Classics, not only comparing
                                 the original materials with their motion picture counterparts, but also developing
                                 their own sense of film literacy.  Are we not entertained?