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From runways to livestreams: Researching China’s digital fashion economy

December 8, 2025
by Weiqi Tao ’26

Livestreaming has become a significant force in China’s fashion industry, transforming the way that fashion is marketed, consumed, and understood. Working alongside Xiaoshuo Hou, professor of sociology and Asian studies and chair of the Sociology Department, Weiqi Tao ’26 examined the rise of new Chinese fashion and the influence of emerging digital platforms. 

The sociology major and economics and philosophy minor from China explored the intersections of digital labor, consumer behavior, and cultural identity, analyzing how livestreamers — often young women — navigate the blurred lines between entertainment, marketing, and work. 

Weiqi’s project exemplifies one of the many ways ΢Ȧ students from across disciplines collaborate with faculty on original research to explore their passions, gain hands-on research experience, and contribute to broader scholarly conversations. 

The research was conducted through ΢Ȧ’s Faculty-Student Summer Research Program, part of the Zankel Experience Network (ZEN). 

Q: Can you give a quick summary of your research project? 

Our research focuses on the rise of new Chinese fashion, especially how it reflects broader transformations in China’s garment industry. We are particularly looking at the impact of e-commerce and livestreaming sales, analyzing how these digital platforms shape fashion trends, promote cultural heritage and influence consumer behavior.

Q: What drew you to this research opportunity? 

I’ve always been fascinated by fashion and how it influences societal change. This project allowed me to explore that interest within the context of current digital trends in China, like e-commerce and live selling. I was also excited to work with Professor Hou, whose expertise and research style really inspired me. 

Q: Have you made any unexpected discoveries or connections? 

Personally, I’ve realized that fashion is more than just style — it can be a powerful medium for expressing national pride and identity. Academically, I’ve seen how digital platforms are not just tools for selling but are also shaping new kinds of labor and gender norms, especially in how women are represented as livestream hosts.

Q: How does this project tie into your major or future goals?

As a sociology major and economics and philosophy minor, this project allowed me to explore the intersection of culture, economy and technology. It deepened my understanding of how traditional cultural elements are reshaped and commercialized through modern platforms like livestreaming. It also informed my broader interest in consumer behavior and digital labor, which could guide future research or a career in marketing, cultural analysis or international business.

Q: What’s your relationship like with your faculty mentor?

It’s been great! Professor Hou is very supportive and approachable. She gives me practical feedback, encourages independent thinking and challenges me to dig deeper when I hit roadblocks.

Q: What’s one really cool thing you’ve learned or are still figuring out?

I’m still exploring the idea of “livestreaming discourse” — the specific ways streamers speak and interact to engage viewers and drive sales. It’s a mix of performance, marketing and cultural cues, and it reveals a lot about digital labor and audience psychology.

Q: What role does creativity or innovation play in your work?

Creativity plays a big role, especially in research design and data collection. We analyze livestreams, fashion trends and digital behaviors — all of which require thinking visually, critically and culturally. Innovation is also key in how we approach methods like discourse analysis or online ethnographic observation. 

Q: How has this experience shaped your thinking about post-grad plans?

This project has made me consider pursuing graduate studies in sociology or media studies, especially focused on digital economies or cultural industries. It also opened my eyes to potential careers in research, digital marketing or working with cultural institutions that focus on heritage and innovation. 

Q: Why study this at ΢Ȧ College?

΢Ȧ encourages interdisciplinary research and creative approaches. I’ve had the freedom to connect sociology, economics, fashion and digital culture in meaningful ways. The support from faculty and campus resources also makes it a strong environment for academic exploration. 

Q: What else are you involved in at ΢Ȧ outside of this project?

I’m involved in the Asian Cultural Awareness Club and attend events organized by the Tang Teaching Museum. These activities help me stay connected to cultural discussions and build community on campus. 

 

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